MODAL MEDLEY @ City of Women, Ljubljana

photo: Nada Žgank

09 December, 2022 at 18h
Old Power Station, Ljubljana
part of Myths and Medusas, City of Women
series of four performances
180′

Modal Medley in Four Acts (Exoneration from Tradition) is an ambitious attempt at a mini-retrospective-on-stage crossing over to durational performance by Lala Raščić. The artist performs The Eumenides (2014), EE-0 (2018), GORGO (2020), and Počimalja – She Who Starts the Song (2022) back-to-back, delivering a combination of Greek myth, anarchist ideology, female rage, folkloric forms, and good old monodrama. 
This medley of four performances maps Lala Raščić’s body of work, research, and interests of the last decade that has finally made the full circle from Balkan oral poetry to chthonic Greek goddesses, all in pursuit of exoneration from tradition.


concept: Lala Raščić, Iva Kovač
director: Lala Raščić
script: Lala Raščić, Andreja Dugandžić (EE-0, Eumenides), Lala Raščić (GORGO)
performers: Lala Rašćić, Azra Pondro
chorus in Eumenides: Tina Benko, Alenka Herman, Timothy Weeks, Azra Pondro
sound design and live processing: Hrvoje Nikšić
cinematography: Ivan Slipčević
artistic advisor: Valentina Lacmanović
speech coach: Anita Tripalo
technical advisor: Ivan Marušić Klif
costumes: Marijana Kramarić – Citoyenne K
fabrication of copper props: Nermina Beba Ali
live subtitling: Domen Kavčič
special thanks: Nadja Dobnik (Književno društvo Hiša poezije)
executive producer: Petra Begović
organisation: City of Women in co-operation with Old Power Station
support: Ministry of Culture, Municipality of Ljubljana.
 
Production: 
Modal Medley in Four Acts: City of Women
The Eumenides: Lala Raščić in collaboration with Black Water & Her Daughter (Ilvana Dizdarević, Andreja Dugandžić) and Midi Brigade (Nedim Čišić)
EE-0: KADIST (Paris) and Lumbardhi Foundation (Prizren) as part of the project Not Fully Human, Not Human at All, which is part of the Europa Enterprise project founded by Andreja Duganđžić, Jelena Petrović and Lala Raščić
GORGO: Lala Raščić with the support of MSURS (Banja Luka) and Röda Sten Konsthall (Gothenburg)
Počimalja: Udruga Domino (Zagreb).

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